![]() ![]() The arrangement of an ode in a splendid and consistent artifice of strophe, antistrophe and epode was carried to its height by Pindar. But it was the Greek ode-writers who introduced the practice of strophe-writing on a large scale, and the art was attributed to Stesichorus, although it is likely that earlier poets were acquainted with it. It is said that Archilochus first created the strophe by binding together systems of two or three lines. In choral poetry, it is common to find the strophe followed by a metrically identical antistrophe, which may – in Pindar and other epinician poets – be followed in turn by a metrically dissimilar epode, creating an AAB form. Like all Greek verse, it is composed of alternating long and short syllables (symbolized by - for long, u for short and x for either long or short) in this case arranged in the following manner: įar more complex forms are found in the odes of Pindar and the choral sections of Greek drama. But the Greeks called a combination of verse-periods a system, giving the name "strophe" to such a system only when it was repeated once or more in unmodified form.Ī simple form of Greek strophe is the Sapphic strophe. In a more general sense, the strophe is a pair of stanzas of alternating form on which the structure of a given poem is based, with the strophe usually being identical with the stanza in modern poetry and its arrangement and recurrence of rhymes giving it its character. Strophe (from Greek στροφή, "turn, bend, twist") is a concept in versification which properly means a turn, as from one foot to another, or from one side of a chorus to the other. ![]() In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to Samson Agonistes, with the strophe chanted by a Greek chorus as it moved from right to left across the scene. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term stichic applies. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Please help improve this article by introducing citations to additional sources.Ī strophe ( / ˈ s t r oʊ f iː/) is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. Relevant discussion may be found on the talk page. Songs that repeat the same basic multi-phrase unit throughout are in strophic form (sometimes abbreviated AAA, because the same basic material, A, is repeated), and the basic unit that is repeated is called a strophe.ĪABA and strophic form both have strophe sections as the main section, which features the primary lyrical and musical content of the song.AABA and strophic form were common especially in older pop music (1960s and earlier).AABA form, also known as 32-bar song form, consists of a twice-repeated strophe (AA), followed by a contrasting bridge (B), followed by another repetition of the initial strophe (A).Strophic form consists only of repeated strophes.This article relies largely or entirely on a single source. Strophic form is more common in early rock-and-roll (1950s–1960s) than in the 1970s and beyond.įor an example of a strophic song, consider “Blue Suede Shoes” by Carl Perkins. This song contains multiple sections, all of which have the same basic underlying music. Though the instrumentation and the lyrics change, the section beginning at 0:19 contains the same – or, at least, very similar – melody, harmony, and phrase structure as the sections that begin at 0:58, 1:37, and 1:54. Listening a bit more closely, we can hear a similar, but abbreviated, version of the same patterns at the opening of the song.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |